2022 |
4.25 - 5.27 |
More details |
TATSUO KAWAGUCHI Relation |
|
2.21 - 3.18 |
More details |
KAZUO OKAZAKI |
2021 |
12.13 - 1.14 |
More details |
TOMOHARU MURAKAMI |
|
3.1 - 3.26 |
More details |
KAZUO OKAZAKI |
2020 |
12.7 - 1.15 |
More details |
TOMOHARU MURAKAMI |
|
10.26 - 11.13 |
More details |
DONALD EVANS |
|
7.6 - 7.31 |
More details |
ABRAHAM DAVID CHRISTIAN "道 陌八" |
|
3.23 - 6.26 |
More details |
KAZUO OKAZAKI "Garden of Supplements: Ontology" |
|
2.3 - 2.28 |
More details |
MOSHE KUPFERMAN |
2019 |
12.9 - 1.17 |
More details |
TOMOHARU MURAKAMI |
2019 |
6.17 - 7.26 |
More details |
ABRAHAM DAVID CHRISTIAN "道" |
|
4.22 - 5.24 |
More details |
KATSUHIRO YAMAGUCHI "The Sun Also Rises" |
2018 |
5.14 - 6.15 |
More details |
Closing the Space With Masatoshi Izumi "Poems of Stones" |
|
3.26 - 4.20 |
More details |
TATSUO KAWAGUCHI |
2018 |
2.26 - 3.16 |
More details |
KAZUO OKAZAKI |
|
2.5 - 2.16 |
More details |
JOSEPH CORNELL: A Pop-Up Book for All Ages |
2017 |
12.11 - 1.26 |
More details |
TOMOHARU MURAKAMI |
|
10.10 - 10.27 |
More details |
YUKO SHIRAISHI PAINTING 1986 - 2017 |
|
7.3 - 7.28 |
More details |
ABRAHAM DAVID CHRISTIAN Hayama |
|
5.15 - 6.2 |
More details |
EMIKO SAWARAGI GILBERT |
2017 |
4.10 - 4.28 |
More details |
KAZUO OKAZAKI |
|
2.6 - 2.24 |
More details |
ERWIN HEERICH + KATSUHITO NISHIKAWA |
2016 |
12.12 - 1.20 |
More details |
TOMOHARU MURAKAMI |
|
11.7 - 11.25 |
More details |
NATSUYUKI NAKANISHI |
|
8.29 - 9.9 |
More details |
TASUO KAWAGUCHI |
|
7.4 - 7.29 |
More details |
ABRAHAM DAVID CHRISTIAN 18 Sculptures |
|
5.30 - 6.10 |
More details |
ISAMU WAKABAYASHI |
|
3.7 - 4.1 |
More details |
KAZUO OKAZAKI |
2015 |
12.14 - 1.22 |
More details |
TOMOHARU MURAKAMI |
|
10.5 - 10.16 |
More details |
ISAMU WAKABAYASHI |
|
7.6 - 7.31 |
More details |
ABRAHAM DAVID CHRISTIAN |
|
3.9 - 3.20 |
More details |
TATSUO KAWAGUCHI |
|
2.9 - 3.6 |
More details |
KAZUO OKAZAKI |
2014 |
12.15 - 1.23 |
More details |
TOMOHARU MURAKAMI |
|
10.14 - 11.1 |
More details |
YUKO SHIRAISHI |
|
6.23 - 7.25 |
More details |
ABRAHAM DAVID CHRISTIAN vierzehn |
|
3.17 - 4.18 |
More details |
KAZUO OKAZAKI |
|
2.3 - 2.28 |
More details |
EMIKO SAWARAGI GILBERT 'Found in the Forest' |
2013 |
12.9 - 1.17 |
More details |
TOMOHARU MURAKAMI |
|
7.1 - 7.26 |
More details |
ABRAHAM DAVID CHRISTIAN, 'Der heilige Mensch' |
|
5.13 - 6.7 |
More details |
TATSUO KAWAGUCHI |
|
2.12 - 3.8 |
More details |
KAZUO OKAZAKI |
2012 |
12.10 - 1.18 |
More details |
TOMOHARU MURAKAMI |
|
10.9 - 10.26 |
More details |
ISAMU WAKABAYASHI, 'Bibliography' |
|
7.2 - 7.27 |
More details |
ABRAHAM DAVID CHRISTIAN, 'Seven Sculptures' |
|
4.2 - 4.27 |
More details |
KAZUO OKAZAKI |
2012 |
12. - 1.2 |
More details |
TOMOHARU MURAKAMI |
2011 |
11.7 - 11.25 |
More details |
TATSUO KAWAGUCHI |
|
9.5 - 9.30 |
More details |
EMIKO SAWARAGI GILBERT |
|
7.11 - 7.29 |
More details |
ABRAHAM DAVID CHRISTIAN, 'Der Weg - Drei Tafeln' |
|
6.6 - 7.1 |
More details |
KAZUO OKAZAKI, 'Fujimi Triangle' |
2010 |
12.13 - 1.21 |
|
TOMOHARU MURAKAMI, 'Capella di Maria' |
|
11.8 - 12.3 |
More details |
KATSUHITO NISHIKAWA, 'Iconography' |
|
10.4 - 10.29 |
More details |
NATSUYUKI NAKANISHI, 'White from behind' |
|
8.23 - 9.17 |
More details |
ABRAHAM DAVID CHRISTIAN, 'The Way - Two Sculptures' |
|
5.17 - 6.4 |
More details |
ARMANDO, 'Anmerkungen zur Vergangenheit' |
|
2.15 - 3.12 |
|
KAZUO OKAZAKI, 'Photograph as Supplement' |
2009 |
12.14 - 1.22 |
More details |
TOMOHARU MURAKAMI, 'Pieta' |
|
10.26 - 11.13 |
|
TATSUO KAWAGUCHI |
|
9.7 - 10.2 |
More details |
ABRAHAM DAVID CHRISTIAN, 'The Way - Paper Sculpture' |
|
7.24 - 9.1 |
|
ISAMU WAKABAYASHI |
|
3.2 - 3.27 |
|
KAZUO OKAZAKI, 'Apple - To William Tell' |
2008 |
12.10 - 1.23 |
|
TOMOHARU MURAKAMI, 'Worship Hall of Mary' |
|
11.4 - 11.28 |
|
ARMANDO, Zeichnungen - 1950 |
|
6.23 - 7.18 |
|
TATSUO KAWAGUCHI, 'see saw seen - 1973' |
|
5.7 - 5.30 |
More details |
ABRAHAM DAVID CHRISTIAN, 'The Way - U-S-O' |
|
3.17 - 4.18 |
More details |
KAZUO OKAZAKI, 'Three Perceptions appearing at the Garden of Supplement' |
2007 |
12.10 - 1.18 |
|
TOMOHARU MURAKAMI, 'Holy Night' |
|
10.29 - 11.22 |
|
KAZUO OKAZAKI |
|
5.28 - 6.22 |
More details |
ISAMU WAKABAYASHI |
|
4.2 - 4.27 |
|
ARMANDO, Paintings |
|
2.13 - 3.2 |
More details |
ABRAHAM DAVID CHRISTIAN <Along the Hudson> |
2006 |
12.11 - 1.19 |
|
TOMOHARU MURAKAMI, 'Christmas Book' |
|
10.16 - 11.22 |
|
KATSUHIKO NISHIKAWA, 'Boundary' |
|
4.24 - 5.26 |
|
ABRAHAM DAVID CHRISTIAN, 'The Way - One Sculpture' |
|
2.27 - 3.24 |
|
KAZUO OKAZAKI, 'Garden of Supplement - Hisashi and Water' |
2005 |
12.12 - 1.20 |
|
TOMOHARU MURAKAMI, 'The Cross - 2005' |
|
10.11 - 11.4 |
|
NATSUYUKI NAKANISHI, 'Still Life - 1972 Revision' |
|
9.13 - 10.15 |
|
ABRAHAM DAVID CHRISTIAN, 'The Way - alle Erde' |
|
3.22 - 4.8 |
|
ISAMU WAKABAYASHI |
|
2.14 - 3.11 |
|
KAZUO OKAZAKI, 'Garden of Supplement - P. Mondrian Landscape' |
2004 |
12.13 - 1.21 |
|
TOMOHARU MURAKAMI, 'The Cross' |
|
9.13 - 10.15 |
|
ABRAHAM DAVID CHRISTIAN, 'The Way - Der Baum 1978 / Skulptur 1979-81' |
|
7.5 - 7.30 |
|
KATSUHIRO YAMAGUCHI, 'Drawings for the 1950s Vitrine Series' |
|
5.10 - 6.4 |
|
ARMANDO, Zeichnungen |
|
4.5 - 4.23 |
|
Fragments - Pebble Tool |
|
3.8 - 3.26 |
|
ISAMU WAKABAYASHI |
|
1.19 - 2.13 |
|
KAZUO OKAZAKI, 'Mirror as Supplement' |
2003 |
12.1 - 12.24 |
|
JOSEPH CORNELL, 'Following the Time Between' |
|
9.29 - 10.24 |
|
ABRAHAM DAVID CHRISTIAN, 'The Way - Bronzeskulptur' |
|
9.1 - 9.18 |
|
ISAMU WAKABAYASHI, 'Falling Leaves and Oscillation, 2003' |
|
5.26 - 6.25 |
|
TOMOHARU MURAKAMI |
|
1.20 - 2.14 |
|
KAZUO OKAZAKI |
2002 |
12.2 - 12.25 |
|
TOMOHARU MURAKAMI |
|
9.2 - 10.4 |
|
ABRAHAM DAVID CHRISTIAN, 'The Way - Sculpture' |
|
4.15 - 5.10 |
|
OKAZAKI KAZUO, 'Signs of Rain' |
|
3.4 - 3.29 |
|
KAZUMI KURIGAM, 'Landscape - Passage' |
|
1.28 - 2.22 |
|
KATSUHIKO NISHIKAWA, 'Color as Shadow' |
2001 |
11.14 - 12.7 |
|
YUKO SHIRAISHI, 'Convergence and Diffusion' |
|
10.1 - 10.26 |
|
ARMANDO, 'Het Schuldige Landschap' |
|
4.16 - 5.18 |
|
ABRAHAM DAVID CHRISTIAN, 'The Way - Mississippi' |
|
2.26 - 3.23 |
|
KAZUO OKAZAKI, 'Hisashi', 2001 |
2000 |
12.14 - 1.26 |
|
TOMOHARU MURAKAMI, 'The Stations of the Cross', 1997-2001 |
|
10.30 - 12.1 |
|
NATSUYUKI NAKANISHI, 'Four Beginnings' |
|
6.19 - 7.19 |
|
TATSUO KAWAGUCHI, 'Relation, Seed・Life' |
|
4.24 - 5.19 |
|
KAZUO OKAZAKI, 'Memory of a Thing' |
|
2.28 - 3.24 |
|
ABRAHAM DAVID CHRISTIAN, 'The Way - La Prophétie' |
|
2.1 - 2.4 |
|
TATSUO KAWAGUCHI, 'Dark Box' |
1999 |
12.20 - 1.21 |
|
TOMOHARU MURAKAMI, 'The Cross', 1997-2001 |
|
10.25 - 11.19 |
|
NATSUYUKI NAKANISHI, 'Radiating Painting' |
|
6.21 - 7.16 |
|
KAZUO OKAZAKI, 'Garden of Supplement - To the Sky' |
|
2.22 - 3.19 |
|
ARMANDO, Paintings |
1998 |
12.14 - 1.22 |
|
TOMOHARU MURAKAMI, 'The Stations of the Cross', 1997-2001 |
|
9.21 - 10.16 |
|
KAZUO OKAZAKI, 'Who's Who' |
|
4.13 - 5.8 |
|
HANS STEINBRENNER, 'Painting / Model' |
|
2.23 - 3.20 |
|
KAZUO OKAZAKI, 'Hisashi - That Dimension of Thought' |
1997 |
12.24 - 1.23 |
|
TOMOHARU MURAKAMI, 'The Cross', 1997-2001 |
|
11.4 - 11.28 |
|
YUKO SHIRAISHI, Paintings |
|
9.1 - 9.26 |
|
TATSUO KAWAGUCHI, 'Relation - Water - Vision of Branchial Respiration' |
|
6.23 - 7.25 |
|
NATSUYUKI NAKANISHI, 'Middle・No Wink' |
|
3.24 - 4.18 |
|
MOSHE KUPFERMAN, ' Works on Paper' |
|
1.27 - 2.14 |
|
ARMANDO, 'Der Zaun', Radierungen |
1996 |
11.18 - 12.20 |
|
TOMOHARU MURAKAMI, 'The Stations of the Cross' |
|
9.17 - 10.25 |
|
JOSEPH CORNELL, 1930s Collages |
|
6.24 - 7.19 |
|
KAZUO OKAZAKI, 'Garden of Supplement' |
|
5.20 - 6.7 |
|
KATSUHIKO NISHIKAWA, 'Physalis' |
|
3.25 - 4.26 |
|
FRIEDRICH VORDEMBERGE-GILDEWART |
1995 |
11.20 - 12.22 |
|
Pax -KUPFERMAN |
|
9.18 - 10.20 |
|
Pax - TOMOHARU MURAKAMI |
|
7.10 - 7.28 |
|
Pax -KAZUO OKAZAKI - Black Rain |
|
6.5 - 6.23 |
|
Pax -ABRAHAM DAVID CHRISTIAN |
|
4.24 - 5.19 |
|
Pax -ARMANDO |
|
3.20 - 3.31 |
|
Walk-in Sculpture - ERWIN HEERICH, KATSUHIKO NISHIKAWA + ARMANDO, ABRAHAM DAVID CHRISTIAN, TOMOHARU MURAKAMI,
MOSHE KUPFERMAN
|
|
3.6 - 3.17 |
|
Walk-in Sculpture - ERWIN HEERICH, KATSUHIKO NISHIKAWA + YUKO SHIRAISHI |
|
2.20 - 3.3 |
|
Walk-in sculpture - ERWIN HEERICH, KATSUHIKO NISHIKAWA + TATSUO KAWAGUCHI |
|
2.6 - 2.17 |
|
Walk-in sculpture - ERWIN HEERICH, KATSUHIKO NISHIKAWA + YOSHIKUNI IIDA |
|
1.23 - 2.3 |
|
Walk-in sculpture - ERWIN HEERICH, KATSUHIKO NISHIKAWA + NATSUYUKI NAKANISHI |
|
1.9 - 1.20 |
|
Walk-in sculpture - ERWIN HEERICH, KATSUHIKO NISHIKAWA + KAZUO OKAZAKI |
1994 |
12.19 - 12.29 |
|
Walk-in sculpture - ERWIN HEERICH, KATSUHIKO NISHIKAWA + ABRAHAM DAVID CHRISTIAN |
|
12.5 - 12.16 |
|
Walk-in sculpture - ERWIN HEERICH, KATSUHIKO NISHIKAWA + TOMOHARU MURAKAMI |
|
11.16 - 1995.3.31 |
|
Walk-in Sculpture - ERWIN HEERICH, KATSUHIKO NISHIKAWA |
|
9.19 - 10.21 |
|
NATSUYUKI NAKANISHI, 'G/Z HOHO Group' |
|
7.11 - 7.22 |
|
MOSHE KUPFERMAN |
|
5.30 - 6.10 |
|
TOMOHARU MURAKAMI, 'Transfiguration' |
|
4.18 - 4.28 |
|
HANS STEINBRENNER, Paintings |
|
3.14 - 3.25 |
|
ABRAHAM DAVID CHRISTIAN, HEINZ GAPPMAYR, Prints |
|
1.24 - 2.10 |
|
KAZUO OKAZAKI, 'Hisashi - On Organic Memory' |
1993 |
12.6 - 12.18 |
|
TATSUO KAWAGUCHI, 'Relation Lotus Time・Chlorophyl' |
|
9.20 - 10.29 |
|
ABRAHAM DAVID CHRISTIAN |
|
7.5 - 7.23 |
|
HANS STEINBRENNER, Sculpture (Yokota Shigeru Gallery, July 1993) |
|
4.12 - 4.24 |
|
KATSUHIKO NISHIKAWA, 'Sintra' |
|
3.15 - 4.3 |
|
KAZUO OKAZAKI, 'Hisashi - That which Supplements' |
1992 |
11.30 - 12.5 |
|
KAZUMI KURIGAMI |
|
10.26 - 11.14 |
|
YOSHIKUNI IIDA, Sculpture |
|
9.21 - 10.9 |
|
ARMANDO |
|
8.31 - 9.5 |
|
PRINTED MATTERS V, NAUM GABO, 12 Monotypes |
|
6.8 - 6.27 |
|
JOHN McLAUFHLIN |
|
5.11 - 5.30 |
|
MOSHE KUPFERMAN |
|
4.13 - 4.25 |
|
ABRAHAM DAVID CHRISTIAN |
|
3.9 - 3.28 |
|
YUKO SHIRAISHI |
|
1.20 - 2.1 |
|
KAZUO OKAZAKI |
1991 |
12.2 - 12.21 |
|
TOMOHARU MURAKAMI, 'Stabilitas' |
|
10.21 - 11.2 |
|
JAN SCHOONHOVEN |
|
9.2 - 9.14 |
|
ABRAHAM DAVID CHRISTIAN |
|
7.8 - 7.27 |
|
PALERMO |
|
5.13 - 6.8 |
|
KATSUHIKO NISHIKAWA, 'Inner Courtyard of Sintra' |
|
3.11 - 4.6 |
|
TATSUO KAWAGUCHI, 'Relation・Plants' |
|
1.28 - 2.2 |
|
KAZUO OKAZAKI |
1990 |
12.17 - 12.22 |
|
TOMOHARU MURAKAMI, 'Books of Hours' |
|
11.12 - 12.8 |
|
DONALD EVANS, 'Postcard to Donald Evans' |
|
10.1 - 10.13 |
|
JOSEPH CORNELL |
|
9.10 - 9.22 |
|
NATSUYUKI NAKANISHI, 'For Summer' |
|
6.25 - 7.21 |
|
ARMANDO, CHRISTIAN, McLAUGHLIN, MURAKAMI, NISHIKAWA, OKAZAKI, SCHOONHOVEN |
|
5.14 - 5.26 |
|
ABRAHAM DAVID CHRISTIAN |
|
2.13 - 3.10 |
|
KAZUO OKAZAKI - 'Thing, Supplement' |
1989 |
11.20 - 12.16 |
|
TOMOHARU MURAKAMI, 'The Stations of the Cross' |
|
9.18 - 10.14 |
|
YUKO SHIRAISHI, Paintings |
|
5.22 - 6.24 |
|
HEERICH, NISHIKAWA, CHRISTIAN |
|
3.6 - 4.8 |
|
KAZUO OKAZAKI, 'Hisashi' |
1988 |
9.19 - 12.10 |
|
ABRAHAM DAVID CHRISTIAN |
|
7.4 - 7.23 |
|
TOMOHARU MURAKAMI, Works on Paper V, (Gatodo Gallery, Takeshiba, July 1988) |
|
5.16 - 6.11 |
|
YOSHIKUNI IIDA, 'From Wall...' |
|
4.11 - 4.30 |
|
ARMANDO, 'Tokyo-Berlin', A Contemporary Art Museum Exchange Exhibition |
|
2.15 - 3.12 |
|
KATSUHIKO NISHIKAWA, Sculpture |
1987 |
10.31 - 11.21 |
|
ISAMU WAKABAYASHI, 'Outdoor Space - On Two Gardens' |
|
9.7 - 10.3 |
|
TOMOHARU MURAKAMI, Paintings |
|
6.22 - 7.18 |
|
JOSEPH CORNELL, 'The Crystal Cage [portrait of Berenice]' |
|
5.11 - 5.30 |
|
MICHEL SAUER, KLAUS MERKEL, (Gatodo Gallery, Takeshiba, May 1987) |
|
4.6 - 4.25 |
|
TATSUO KAWAGUCHI, 'Relation Seed・Earth・Water・Air' |
|
2.23 - 3.20 |
|
HANS STEINBRENNER, Bronze Sculpture & Ink Drawing |
1986 |
11.17 - 12.13 |
|
YOSHIKUNI IIDA, 'Roma・Wien・Berlin, 1957-1967' |
|
9.16 - 10.11 |
|
TOMOHARU MURAKAMI, 'PRAYER, Shunie Ceremony of Todaiji Temple' |
|
7.14 - 8.2 |
|
TATSUO KAWAGUCHI, 'Works of Parts 1972', (Gatodo Gallery, Takeshiba, July 1986) |
|
5.12 - 6.7 |
|
JEAN DUBUFFET, 'Last 10 years' |
|
4.1 - 4.26 |
|
ON KAWARA |
|
2.24 - 3.15 |
|
ABRAHAM DAVID CHRISTIAN, KATSUHITO NISHIKAWA, MICHEL SAUER |
1985 |
11.18 - 12.14 |
|
NATSUYUKI NAKANISHI, 'To Tie Work to Work' |
|
9.17 - 10.12 |
|
HANS STEINBRENNER, Sculptures and Paintings |
|
6.17 - 7.13 |
|
ISAMU WAKABAYASHI, 'Possession, Atmosphere, Oscillation', (Gatodo Gallery, Takeshiba, June 1985) |
|
5.13 - 6.8 |
|
JOHN McLAUGHLIN, 'Late Works' |
|
3.4 - 3.30 |
|
TOMOHARU MURAKAMI, Works on Paper IV |
1984 |
11.12 - 12.8 |
|
ISAMU WAKABAYASHI, 'Possession, Atmosphere, Oscillation' |
|
9.10 - 10.6 |
|
TATSUO KAWAGUCHI, 'Blue' |
|
6.25 - 7.21 |
|
DONALD EVANS, 'Stamps from the World of Donald Evans' |
|
4.16 - 5.12 |
|
JOHN McLAUGHLIN, Prints |
|
3.5 - 3.31 |
|
TOMOHARU MURAKAMI, Paintings |
1983 |
11. 1 - 11.26 |
|
YOSHIKUNI IIDA, 'CAN Y ON' |
|
9.19 - 10.15 |
|
ISOZAKI ARATA, Drawings from the Museum of Contemporary Art, Los Angeles |
|
7. 1 - 7.23 |
|
JOHN McLAUGHLIN, Paintings 1951-1966 |
|
5.30 - 6.11 |
|
YOSHIKUNI IIDA, TATSUO KAWAGUCHI, NATSUYUKI NAKANISHI, TOMOHARU MURAKAMI, ISAMU WAKABAYASHI (Gatodo Gallery, Takeshiba, June 1983) |
|
4.4 - 4.28 |
|
NATSUYUKI NAKANISHI, 'Violet - Purple' |
|
1.21 - 1.22 |
|
JOSEPH CORNELL, Short Films Works |
1982 |
11. 1 - 11.27 |
|
ISAMU WAKABAYASHI, 'Something Belonging to the Green in the Air' |
|
7. 5 - 7.17 |
|
FRAGMENTS 2, Bird-stones of the North American Indians |
|
5.24 - 6.5 |
|
JOSEPH CORNELL, Box Construction & Collage |
|
3.15 - 3.27 |
|
AYAKO YODOI, 'South', Paintings |
1981 |
11.16 - 11.28 |
|
TOMOHARU MURAKAMI, Oil Paintings |
|
9. 7 - 9.19 |
|
PRINTED MATTERS IV, HANS NAMUTH, 'Photographs of Jackson Pollok's Paintings' |
|
6.15 - 7. 4 |
|
YOSHIKUNI IIDA, 'Chromato Philologia' |
|
5.18 - 5.30 |
|
NATSUYUKI NAKANISHI, Drawings |
|
1.26 - 1.31 |
|
TOMOHARU MURAKAMI, Works on Paper III |
1980 |
11.17 - 12. 3 |
|
NATSUYUKI NAKANISHI, 'Arc・Ellipse' |
|
8.25 - 9. 6 |
|
ISAMU WAKABAYASHI, Drawings |
|
7.7 - 7.19 |
|
TOMOHARU MURAKAMI, Works on Paper II |
|
5.26 - 6.7 |
|
YOSHIKUNI IIDA, 'Sketches for Sculptures, 1962' |
|
3.3 - 3.19 |
|
GEORGE SEGAL, 'Environment: The Brick Wall 1970' |
1979 |
12.10 - 12.22 |
|
PRINTED MATTERS Ⅲ, BARNETT NEWMAN, '18 Cantos' |
|
11.12 - 11.24 |
|
ISAMU WAKABAYASHI, Sculpture |
|
6.25 - 7. 7 |
|
TOMOHARU MURAKAMI, Works on Paper |
|
4.9 - 4.21 |
|
FRAGMENTS, Colorful Pottery and Ritual Artifacts from South West America |
|
1. |
|
TOMOHARU MURAKAMI, 'China - Drawings' |
1978 |
12.11 - 12.23 |
|
PRINTED MATTERS II |
|
11.6 - 11.22 |
|
TOMOHARU MURAKAMI |
|
7.17 - 7.29 |
|
ISAMU WAKABAYASHI |
|
3.22 - 4. 8 |
|
JOSEPH CORNELL |
1977 |
12. |
|
PRINTED MATTERS |
|
11.7 - 11.19 |
|
ISAMU WAKABAYASHI, Sculpture |
|
5.16 - 5.31 |
|
ARATA ISOZAKI, 'Architecture of Quotations and Metaphors: Architectural Works by Arata Isozaki' |
1976 |
|
|
(OPENING EXHIBITION) |